Sungyeon Kim explores the "boundary of body " and resets the relationship between herself, society, starting with questions about the organization. 

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Sungyeon Kim is a performance artist and sculptor exploring the intersection of body, materiality, and migration. Originally from Seoul, she is currently based in London, completing her MA in Performance Art at Central Saint Martins. Her work investigates human-nature connectivity, integrating sustainable materials, plant bio-signals, and somatic movement practices to create immersive, participatory performances.

With a background in Fine Art from Korea National University of Arts, Sungyeon’s artistic practice is deeply informed by her third-culture identity, having lived in Korea, the Czech Republic, the UK, and now considering Denmark for further research. Her projects often focus on diaspora, memory, and adaptation, drawing parallels between plant growth and human migration.

Sungyeon’s research extends beyond traditional performance art, incorporating biological adaptation, ecological sustainability, and socially engaged practices. Through workshops and installations, she collaborates with immigrant and refugee communities, using art as a bridge for cultural dialogue and collective storytelling.

Her influences range from phenomenology and somatic methodologies to bio-integrated art, and she continuously challenges the boundaries of performance by engaging audiences in site-specific, interactive experiences. Whether through sculptural installations, live performances, or research-driven workshops, Sungyeon’s work redefines performance as a living, evolving entity that connects people, place, and memory.